The Sony FE 12-24mm F4 G is a super wide-angle zoom lens that feels like a light bulb in your hand. At the 12mm end, the field of view is so wide that it's hard to capture the corners cleanly. This often results in too many unnecessary elements entering the frame, making the composition feel cluttered. Additionally, at around 121 degrees, the perspective distortion becomes quite noticeable—this isn’t just barrel distortion, but a more complex kind of optical distortion that can be difficult to ignore.
However, there’s a solution. Using the "Upright" tool in Photoshop ACR 9.3 or Lightroom 2015.3 and above, you can correct the Z-axis perspective, turning a three-point perspective into a more acceptable two-point perspective. For example, when photographing Tadao Ando’s “Church of Light,†one image shows a three-point perspective, while the other, after correction, looks much more balanced and natural. Both were shot from the 12mm end, with a similar angle of view, but the corrected version is clearly more appealing.
Upgrading to Photoshop ACR 9.12.1 or Lightroom 2015.12 gives you built-in lens corrections for the FE 12-24mm F4 G. However, the vignette correction at 12mm isn't always perfect. Sometimes, the dark corners can actually help draw the viewer’s eye toward the center of the frame, which is a nice effect if used intentionally.
Here’s a photo I corrected to almost a one-point perspective, and others where I adjusted to a two-point perspective. These adjustments make the image feel more natural and comfortable to look at. But remember, not all situations call for correction. Sometimes, the exaggerated distortion of a three-point perspective can add drama or a unique visual impact.
For instance, a yoga scene on a yacht might look more dynamic with a bit of distortion, and a character like Corki could appear cuter with an exaggerated angle. Similarly, the Hongqiao SOHO building and a Line Friends flagship store might look even grander or more expansive when shot with a strong wide-angle perspective.
So, it’s all about using the lens features to your advantage. The FE 12-24mm F4 G is not just for architecture—it can also be great for portraits, especially when you want to create a sense of depth or exaggerate certain elements. I’ve shot several portraits at 12mm, and when the subject fills the frame, it can give a very interesting, stretched-out effect.
In summary, the FE 12-24mm F4 G is an excellent ultra-wide lens, even without the G branding. While I mostly use the 12mm end, it's far from being limited to just that. The sharpness is impressive and matches the official MTF charts. When paired with a Sony A7R2, it captures incredible detail—even in the corners. The only downside is a slight vignette at 12mm, which can be either a drawback or a creative tool depending on the situation.
If you're an architectural or interior photographer using a Sony E-mount full-frame camera, this lens is a must-have. It’s also perfect for starry skies or landscapes that require a wide-angle perspective beyond 16mm. Its wide-angle capabilities, sharpness, and visual impact make it a powerful addition to any photographer’s kit.
Thanks to @ç’ç’ for the inspiration and support!
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