The Sony FE 12-24mm F4 G is a super-wide-angle zoom lens that feels like a light bulb in your hand. At the 12mm end, the field of view is so wide that it's hard to capture the corners without including too much unnecessary background, which can clutter the frame. Additionally, at around 121 degrees, the extreme wide angle often causes noticeable perspective distortion—something that’s not always easy to ignore.
However, there’s a way to fix this. Using the "Upright Guideline" feature in Photoshop ACR 9.3 or Lightroom 2015.3 and above, you can correct the Z-axis perspective, turning a three-point perspective into a more natural two-point perspective. For example, when photographing Tadao Ando’s “Church of Light,†one shot shows a three-point perspective, while the other, after correction, looks more balanced and visually pleasing. Which one do you prefer? I think most people would go for the second one.
Upgrading to Photoshop ACR 9.12.1 or Lightroom 2015.12 gives you built-in lens corrections for the FE 12-24mm F4 G. However, the 12mm end might not be fully corrected, especially regarding vignetting. Sometimes, the dark corners can actually help draw attention to the center of the image, depending on the scene.
Here’s a photo I corrected to almost a one-point perspective. And here are some images where I used the two-point perspective method. These adjustments make the composition feel more natural and comfortable.
But don’t get me wrong—there are times when using the exaggerated three-point perspective can create a unique and dramatic effect. For instance, a yoga scene on a yacht might look more dynamic with the distortion, or a character like Corki could appear cuter. Even an architectural shot like Hongqiao SOHO or a Line Friends store can feel more grand or expansive with the right perspective.
So, the key is to understand how to use the characteristics of the ultra-wide angle to achieve the visual impact you want.
Speaking of which, is the FE 12-24mm F4 G suitable for portrait photography? From my experience, it’s definitely possible—but it depends on how you compose the shot. The extreme wide angle can create interesting effects, such as stretching the legs or making the subject stand out against a large background.
These photos were all taken at 12mm. When the subject takes up a significant portion of the frame, the wide angle can add a sense of depth and scale.
In summary, the FE 12-24mm F4 G is a versatile and high-quality ultra-wide lens that doesn't disappoint. While I often use the 12mm end, it's far from being limited to just that. The sharpness is impressive and meets the official MTF chart expectations. On a Sony A7R2, you can even capture details that you usually overlook. However, the 12mm end does show some vignetting, but that can sometimes work in your favor.
If you're an architectural or interior photographer using a Sony E-mount full-frame camera, this lens is a must-have. It's also great for starry skies or landscapes where you want a dramatic, wide-angle feel. Whether you're capturing vast scenes or tight compositions, this lens delivers strong visual impact.
Thanks to @ç’ç’ for the inspiration and support!
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